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Surface quality and pattern with hidden detail combined with multi viewing points have always been of interest to Philip. His early work used maps and aerial photography as the starting point for decoration and used coloured clay and engobes to build layers and blocks of pattern. Glaze was used sparingly to highlight selected areas and interiors.
He likes the suggestion of what might have been and archaeological finds and remains with their contrast in materials and surfaces.
Philip trained at North Staffordshire Polytechnic and set up his first studio in 1980.He is a member of the Craft Potters Association.
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