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Kato, Jill Fanshawe
(view Gallery)
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View 'Jfk8 Round Bird Vase'

Jill started drawing at an early age. Her interest in the natural world was awakened at the age of ten, when her family moved from Nottingham to the small Devonshire village of Kingskerswell, near Torquay. She cared for numerous injured or orphaned wild birds and animals. Thus started her lifelong love of nature which can be seen today in her ceramics...

Katzenstein, Lisa
(view Gallery)
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Lisa's pieces are slip-cast or press moulded white earthenware with hand painted 'tin-glaze' decoration. which involves painting on top of the glaze prior to firing.
Where her work differs from traditional Majolica is in the way she uses it as a medium for painting in its own right...

Keeler, Walter
(view Gallery)
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View 'Wk56 Medium Oval Jug'

Walter Keeler's pottery is mainly domestic and functional in salt glazed stoneware or, more rarely, earthenware. He trained at the Harrow School of Art, studying under Victor Margrie and Michael Casson, and later returned there to teach.

Walter says"The pottery tradition is at the heart of all my work. Pottery for use has been central to all settled human communities...

Keenan, Chris
(view Gallery)
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Chris has always made work for domestic spaces - pots to be used; pots to be handled; pots to be looked at. He was taught to throw with Limoges porcelain and it remains the only clay he has ever worked with. At an early stage in his apprenticeship, he used tenmoku and celadon glazes in combination for the first time - unaware of their iconic status in the ceramic lexicon...

Keeney, Christy
(view Gallery)
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View 'Ck136 Cut Up Head'

Christy Keeney started his career at art school in Donegal.

Although drawn more towards fine art, he was encouraged to continue working in clay. Whilst developing his throwing skills he became more interested in sculpture.
Christy graduated from The Royal College of Art in 1988 and started working from studios in London...

Keevil, Melanie
(view Gallery)
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View 'Mk60 Detail'

Melanie makes ceramic wall panels that are layered with richly coloured slips and glazes and then stoneware fired to 1260°. These abstract pieces are inspired by the colours, surface textures and weathered architectural details found in the hilltop towns and mountains of Provence. Other pieces are inspired by the rock formations and coastlines of the Cornish and Welsh landscapes...

Keogh, Karen
(view Gallery)
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View 'Worlds End-london Lives 8/75'

My work consists of vibrantly coloured, three-plate etchings and painterly monotypes, which take the landscape for inspiration. Recently, however, my work has become more abstract, as I simplify shapes and find patterns within the landscape. Using three metal plates for each print is labour intensive, technically difficult, and requires a great deal of foresight...

Kershaw, Wendy
(view Gallery)
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View 'Wk24 To Tap A Bowl'

WENDY KERSHAW
After destroying some of her father’s roses by digging up clay to make things as a child, Scottish ceramicist Wendy Kershaw went on to graduate with First Class honours from Gray’s School of Art, Aberdeen, followed by a Masters degree at Cardiff...

Kew, Melanie
(view Gallery)
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Melanie, a graduate of Bath Spa University, was a popular exhibitor in the 2014 Bevere Graduate Show. She intends to continue to make functional art, further investigate installation and teach so that she can pass on the skills and joy of working with clay...

Key, Ray
(view Gallery)
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Creative Woodturner of international renown

Ray has loved making things from wood throughout his life; his first recollections are from around the age of seven. Whittling, carving and fretwork were all interests.
He has been a member of the Worcestershire Guild of Designer Craftsmen since 1973.
He has been turning wood for over forty years...

Khani, Layla
(view Gallery)
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View 'Lk21 A Winter Surprise'

"I studied Art and Design 2004-2007 at the University of Worcester and later obtained an MA in Visual Communication from Birmingham Institute of Art and Design (2010). While studying I worked as a graphic designer (2008-2012) at 3dtotal.com, which is one of the premier CG art websites in the world...

Kim, Jin Eui
(view Gallery)
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View 'Jek15 Opject - Lidded Box'

Jin Eui Kim is a ceramic artist originally from South Korea. He graduated from Cardiff School of Art and Design with an MA and PhD in Ceramics, during which he studied the illusory effects of the application of black through to white on three-dimensional surfaces...

King, Ruth
(view Gallery)
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View 'Rk4 Medium Oblong Bottle'

Ruth’s vessels possess a contained stillness and have been described as ‘starkly formal yet inventive'. Restrained and reflective, their essential qualities are expressed with economy and quietude. The components for each piece are cut from sheets of clay then assembled, modified and intensively worked; they are structured and tailored to contain space...

Klein, Anita
(view Gallery)
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View 'Ak12 Lady Serving Apples 21/50'

One of the UK’s most prominent and successful artists, Anita is BOTH a painter and a printmaker and her works which depict her family life have received broad acclaim.

"I want to celebrate the small moments we all tend to overlook. They're the really important things.....

Knapp - Fisher, John
(view Gallery)
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John Knapp-Fisher was born in 1931. Following studies in Graphic Design at Maidstone College of Art from 1949, John worked in exhibition design and later for the theatre as a designer and scenic artist. In 1958, while based in London, he began to concentrate on painting and exhibiting...

Koch, Gabriele
(view Gallery)
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I am concentrating on simple forms, trying to integrate balance and tension, stillness and movement, expansion and the containment of volume.
All pieces are hand built and some are burnished to achieve a tactile surface. The distinctive patterning which complements these burnished forms
is achieved in a carefully organized secondary smoke firing...

Krause, William
(view Gallery)
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View 'Wk2 Illustrations Of Heads'

William is a Ceramic Design graduate from Central Saint Martins College of Art and Design. His work explores the synthesisation of the general public on the London Underground, through the medium of ceramic and illustration, to convey a social comment on the daily routine of the modern man.

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